女巫1967

　　"The Witch Burnt Alive"　　After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.　　"Community Spirit"　　Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.　　"The Earth Seen from the Moon"　　The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.　　"The Sicilian"　　Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.　　"A Night Like Any Other"　　Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.

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有关电影天堂《女巫1967》的常见解答：
一问:
《女巫1967》讲述的是什么故事？
樱花动漫电影网影迷朋友说： 　　"The Witch Burnt Alive"　　After a very long, but visually arresting animated opening cred
二问:
《女巫1967》这部电影天堂中的台词，大家如何评价？
风车动漫电影网影迷朋友说：最近《女巫1967》在各大平台热播，而且影视制作公司非常地给力，更新速度非常快，喜欢这部女巫1967的影迷朋友们可以畅快的免费观看了。电影天堂中演员们饰演的角色比较贴近原著，而且台词也格外的讲究！其中有一些经典的台词可能会成为热搜话题，喜欢女巫1967的老爷看客们要拿起笔杆子认真做好笔记了，这些内容可能成为必考题目[狗头.jpg]。
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《女巫1967》是哪一年首播的？
青苹果影院影迷朋友说：最早各大平台推出的时间是1967年。
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七问:
西尔瓦娜·曼加诺,安妮·吉拉尔多,弗朗西斯科·拉瓦尔,马西莫·吉洛蒂,维罗尼卡·旺代勒,埃尔莎·阿尔巴尼,克拉拉·卡拉马伊,玛丽卢·托洛,诺拉·里奇,迪诺·梅莱,赫尔穆特·贝格,布鲁诺·菲利皮尼,莱斯利·弗伦奇,阿尔贝托·索尔迪,托托,尼内托·达沃利,劳拉·贝蒂,克林特·伊斯特伍德,Valentino Macchi,Pietro Torrisi,马里奥·西普利亚尼,彼得罗·托尔迪的表演怎么样?演技在线吗？
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